you can’t trump the funk
you can’t trump the funk
One of the baddest underground funk bands ever was SUN, live from Dayton, featuring a hint of all of the greats rolled into a sound all their own.
The vocals were amazing, the band was TIGHT, they could swing, they had latin flavor, they could throw down with horns or without… I mean, they are true legends with very little fanfare.
Check out some outstanding Sun selections in the OhioFungk playlist:
300 tracks and counting….. ALL OHIO FUNK youtube playlist
curated by ezraz the enfunklopedia
to lock you on the 1
and cool you out in these stressful times
Works nice in shuffle mode.
The baddest playlist around….. All OHIO, All FUNGK, ALL ON THE ONE
Ohio Players, Sun, Slave, Bootsy, Heatwave, Dayton, The Isley’s, Junie Morrison, Zapp, Aurra, Faze-O, Lakeside, Overnight Low, Dazz Band…. if it came from Ohio we will play it.
Give in to the addiction that is youtube…. give in with Pure Ohio Fungk!
Check out this great radio show featuring all rare Ohio funk, all rare grooves, live from Cinci it’s Deeper Than Atlantis!
There’s only space on the mountaintop for a few of our all time music legends, and it’s a funkin shame the Ohio Players remain underrated and unheralded by the mainstream media.
They deserve to be in the Rock and Roll Hall of Fame, I mean, honestly, they are right next to the P-Funk empire as far as 1970’s influence, and their catalog is strong too (but not nearly as prolific as GC’s gang of 50+ artists).
Fire, Skin Tight, Honey, FOPP, Angel, Jive Turkey, Funky Worm, Contradiction, My Life, Heaven Must Be Like This, O-H-I-O, Little Lady Maria, Varee Is Love, Pleasure, Far East Mississippi, Climax, Runnin From the Devil, Smoke, Good Luck Charm, Alone…. should I go on? There’s 20 legendary monster jams right there.
Did the Rock Hall gave it up to P-Funk, then walk away from all other funk music from the 70’s?
Funk was a monster genre influencing the entire culture, and P-Funk was an (amazing) anomaly. Artists like OP, WAR, Kool & The Gang, EWF, Mandrill, Zapp, Bootsy’s Rubber Band, Slave, Maze, The Time, Cameo – these were more than dance bands, these were touring rock outfits pushing the limits of showmanship onstage, craftsmanship in the studio, and composing legendary songs with primarily black members. The Rock Hall should be colorblind.
So anyway, OP’s live act has lost several of the original members to old age – RIP Sugarfoot, PeeWee, & Satch – or retirement, but they always field a funky lineup. It must be noted that they now feature legendary drummer James “Diamond” Williams, and he’s been locked with the same bassist Darwin Dortch for 30+ years, so you know they can throw down!
Check the original Dayton Funk, standing strong 44 years after it first dropped:
But of course, why did I ever doubt it?
I worry. More than my cool attitude allows.
I worry about incompetence and greed getting in the way of a good time.
I worried that the high resolution thing would pass by my beloved funk music.
I just purchased Slave’s debut record at 24/192 (one of the few of their peers to go all the way) and OH MY….
You want a better commercial for HD audio? I don’t think there is one. The space, the timing, the bite of the instruments, the interplay, the growl of the bass, the polyrhythms, the horns….. Very impressive. My new favorite album on HD.
24/192 funk – OH YEAH. Please funk bands (and Rhino) if you are reading this – go back to the tape and put out 24/192 asap. I will buy all that I can.
Because this is the sickest funk around, in my pocket. Very powerful. Best my ears have heard in quite some time.
Damn why was this lip-synched? I thought that the Don Kirshner show was live performance so I wonder what happened here. Anyways, great Ohio groove on this one. This is STELLAR FUNGK!
Very bad transfers. Can someone get some better quality versions up?
More Sugar, More Ohio Players. Never sounded better. RIP.
We have lost an underrated musical genius, the voice of a generation, the creator of a new singing style, and an influence to countless other musicians (perhaps most notably Prince)…. Mr. Leroy Bonner, better known as Sugarfoot or just Sugar.
He started in the music business in the 1950’s and experienced just about every facet of the business in his 6+ decades. Ups downs and all arounds, Sugar always stayed true to himself and true to the music.
Mr. Bonner was the author of so many funk classics – writing or co-writing most of the Player’s material, singing lead on most of the major hits, and playing a smoking hot guitar. His fingerpicking and scat soloing was like noone-else.
He brought his double-neck to funk, his trademark Aww girl, put that suitcase down, You ain’t kiddin’ nobody, You can’t leave me, woman, you love me! vocal style has become the funk voice. This was just one of his many creations.
Video of the Ohio Players is very rare and not much is online. Here’s a cool interview and lip-sync on Soul Train from when they were blowing up in 1975 (cracked audio):
Here’s one of my favorite Sugar performances, “Heaven Must Be Like This”:
Rest In Peace Mr. Bonner, you will be missed. You and your music will be remembered forever.
More classic Ohio funk for you, this time from Faze-O. Dayton & Cinci are really making their pitch as the home of funk and I like it. So many good funk bands and all kinds of killer players came out of those two towns. If you expand regionally to include places like Cleveland & Detroit you can develop a true sense for how important the upper midwest was to american music, particularly soul, rock and pop.
Through the magic of video production, a great overview of my favorite funk band of all time:
Slave’s debut album came in 1977. With 9 members, the album promised to give us power funk and it doesn’t disappoint.
The sound of the album reminds me of Mercury-era Ohio Players with a slightly higher energy level. Only the tune “The Happiest Days” qualifies as a ballad. The other tunes are barn-burning party stomping jams.
With two guitarists and 4 horn players and C.B. who is credited with “all things off the wall” the sound is pretty full.
The tunes “Slide”, “Son of Slide”, and “You and Me” stand out on the record. They have the rich instrumentation featured in the more hyperactive jams, but are ever so slightly mellower and feature thick dark basslines with well-arranged rhythmic horn lines reminiscent of JB style riffs (especially in “You and Me”). However, the drumming is much more late-70s stomping-style than the sophisto-funk style of the JBs. The thick heavy pulsing drum sound was more popular in the late 70s, and most funk bands from the time employed it.
There is some subtle keyboard work providing a “vibes” atmosphere in the background of “You and Me”, which was also used by the Ohio Players but in a different way.
“Screw Your Wig on Tite” and “Party Hardy” seemed a little over-the-top at first, but on repeated listening sophisticated grooves are revealed. Make no mistake – these are not subtle tracks, they tear the roof off without a doubt. But there is quality musicianship underneath the powerful rhythmic front.
I expected “Love Me” to be a ballad (because of the title), but it is actually a slap-bass workout with Ohio Player style horn-lines that is probably too powerful for today’s dance floors. It’s definitely a must-listen for the bass enthusiast. There isn’t any bass solos, but the rhythmic track is very nice.
Interestingly, Slave is one of those bands who can totally change one’s perspective by listening to an album. They bring the hard Dayton-funk sound from the beginning. Listening to a good Slave album like this one from beginning to end can truly change one’s perspective.
Here’s to one of the dinosaur funk pioneers. 4 out of 5 stars for an outstanding and shameless power funk album.